During the class you will learn:
1) How to use texture paste to create texture on the canvas
2) How to correctly paint items like grass in front of the animal to ensure it doesn’t compete for attention
3) How to render the very rough texture of the hide and horns
4) and much more
Transfer the portrait-like close up to the canvas, and then make your own transparent template to lay over the canvas to help you keep your painting in alignment.
Begin the texturing process by applying a light layer of the texturing paste (such as spackle or Polyfiller) to the horns. Once you are sure it is adhering properly, continue to build up layers to the desired thickness (thickest point will be 1.5 centimeters). Work on one horn at a time. Develop the contouring as seen in the reference photo. Cover the area with cling wrap and put in the texture lines. A light blow from the hair dryer will help to remove wetness from the paste to keep the cling wrap from sticking.
Move on to the eyes. First build up the folds around the eyes, then use Nolan's technique for rolling the paste to sculpt the eyelids and make the eyeballs. Do the right eye first, then the left. Use the template often to be sure you have the lines in the correct places.
Continue on to the nose. Lay the texture paste in a ramp-like fashion, gradually adding depth until you get to the nose. Contour the three planes of the nose. Use your finger to form the inside of the nostrils and then the knife to cut in the little lines on his nose.
Shape the ear next. Follow Nolan's technique to get the shaping correct. Note that you will lift the ear away from the body at the top and bottom. Sculpt in all the little fine lines.
The last spot to be formed is the bottom jaw. Taper it off to the upper jaw.
Allow the texturing to dry overnight. Make an needed corrections after it has dried. Be sure that the texturing is tapered off at the edges so that it will fit into a frame.
Mix the colours you will need for the background grasses, then adjust for several tonal values. Block in the grasses as they appear in the reference photo. Gently blend them in, keeping them out of focus.
Scrub the light, middle, and dark tones onto the textured face.
Mix the colours you will need for the horns and then adjust for tonal values. Begin by painting the colours that are in the cracks. Then come back and lay on the colours in the appropriate places.
Use mostly sky colour to highlight the eye area, plus dab on some muddy spots and shadows. Replicate the brush technique that Nolan uses to simulate the look of hair. Keep looking at what you have done and compare with the tonal values on the reference photo.
Facial detail - Left ear
Start the ear by laying very dark paint at the top of the inner ear to create the “looking-in” effect. Then gradually add the lighter colours. Flick in some ear hairs.
Facial detail - Mouth and nose
Use existing paints and start by blocking in the very dark areas of the mouth.
Scrub the appropriate colours into the textured cracks between the nostrils. Create the dark “looking in” effect with the inside of the nostrils. Lightly apply highlights and shadows. Add a few hairs. After it dries, you might want to follow up with a light sky color wash to give it a wet effect.
To add interest to your painting, layer on some of your grass colours to create strands of grass in his mouth.
Go back over the painting to be sure you have all the details correct.
About Nolan Clark
Nolan Clark has been painting and drawing since 1996. He enjoys working in many mediums and styles, but realism is his favourite. He teaches drawing, painting as well as scratch board classes on the site. Read more about Nolan Clark